Wimbledon College of Art

Victoria Beaton 2006 on foundation before starting her technical Arts BA

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Drupal UAL drop-in sessions

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Robbie Pacquett Technical Arts and special effects

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Will Pearce - Wimbledon graduate

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Will Pearce is Head of puppets and masks for Disney's Lion King production at the Lyceum theatre in Covent Garden, London. Will is a graduate of the BA Theatre Technical Arts and Special Effects course at Wimbledon College of Art. http://www.wimbledon.arts.ac.uk

See videos of WCA Technical Arts students working in their studios here - http://process.arts.ac.uk/category/tags/technical-arts

How Flats are Fixed and Screwed together

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How Flats are 'Run' and Supported

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Artist Talk. fantich&young "Double Games, Red In Tooth And Claw" 2011

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William Furlong, Speaking of Art

cfollows — Wed, 02 Nov 2011 09:00:06 +0000

William Furlong belongs to the generation of British
artists (which includes Gilbert & George, Bruce McLean
and Richard Long) that developed a new concept of
sculpture in the 1970s and 1980s. Furlong's special
contribution has been in the area of sound and, with the
founding of Audio Arts (with Barry Barker) in 1973, he
began mapping the territory of contemporary art in a
series of cassette editions.

Recording on the TATE website - The innovative audio cassette-magazine Audio Arts was established by Bill Furlong in 1973. Edited and produced by Furlong, it comprises an integral element of his art practice.

http://www.tate.org.uk/britain/exhibitions/audioarts/

His work engages with, and explores, sound and its reception and perception. He manipulates, choreographs and interprets sound, working with a myriad different sources from conversation, speech and dialogue and its many individual nuances to the sounds of birds singing. He has exhibited nationally and internationally, including a sound installation in Intelligence, New British Art 2000 at Tate Britain and a solo show at the South London Gallery (2002). The work Walls of Sound (1998), commissioned by the Cass Foundation for Sculpture at Goodwood, has been acquired by the Berardo Foundation in Lisbon. Furlong is also the coordinator of 'Venice Agendas', Wimbledon College of Art's symposium series that has taken place at four Venice Biennales (2001-07).

LCC lift

Featured — Sat, 01 Oct 2011 21:49:30 +0000

Read the LCC lift 'scrolls' here - http://www.annamcandrew.com/lift/lcc.html - "...It was especially interesting doing this performance at Chelsea as it was very different to LCC or Wimbledon. It was very well received at LCC – people were very interested and impressed, and well, at Wimbledon everyone knew me and many weren’t surprised it was me doing this sort of thing but at Chelsea the atmosphere was very different!..." Reflections on Performance - See more about Anna's project here - See Anna's posts on process.arts

Wimbledon Summer Shows 2011

Foundation

Private View: Tuesday 19 April 2011 / 17.00 – 20.00
Open to Public: Saturday 16 April - Wednesday 20 April 2011 (closed Sunday 17 April)

Venue: Wimbledon College of Art, Palmerston Road, London SW19 1PB

Eliot Jones

annamcandrew — Thu, 21 Jul 2011 22:30:07 +0000

Everytime I see Eliot, he has a new found object, whether that's a car exhaust, window blinds or old photos. On this occasion he had a large stretch of insulation which he had been taking apart for a few days. I managed to capture him just as had finished.

Wimbledon College of Art

Victoria Beaton 2006 on foundation before starting her technical Arts BA

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Drupal UAL drop-in sessions

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Robbie Pacquett Technical Arts and special effects

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Will Pearce - Wimbledon graduate

How Flats are Fixed and Screwed together

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How Flats are 'Run' and Supported

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Artist Talk. fantich&young "Double Games, Red In Tooth And Claw" 2011

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William Furlong, Speaking of Art

LCC lift

Eliot Jones

Life Drawing - Laurence Noga - Wimbledon foundation 2010/11

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Project 1 - final Crit and Presentation of work

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Victoria Beaton Tech Arts 2009

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Interview with Ava Davar

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Jonny Wheatley

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