Performance

Tate Exchange 2018 - Open Call to Collaborate in Digital Maker Collective Events

cfollows — Sun, 26 Nov 2017 15:15:41 +0000

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Pentagon Petal

pnellis — Sun, 18 Dec 2016 21:28:03 +0000

This installation project by artist Fran Cottell and architect Marianne Mueller reflects on the Rootstein Hopkins Parade Ground as the dream site for Jeremy Bentham's experimental panopticon, the real Millbank Penitentiary, a military parade ground and now university campus, outdoor gallery and thoroughfare to Tate Britain.

From solitary confinement, to the military organisation of a group as a single unit to today's neoliberal forms of sociability, the social history of the Rootstein Hopkins Parade Ground represents a cross section through architecture's power to orchestrate social modes.

The intervention re-enacts a scaled version of the prison's infamous plan, editing and reinterpreting it into a more socially active figure: a flower shaped bench. Each of the six pentagons or petals - originally shaped to facilitate social control and designated for solitary confinement - now invites informal gathering. The intervention plays with ideas of exclusion and segregation while offering a generous place within the larger barren square.

Pentagon Petal is supported by: Camberwell, Chelsea, Wimbledon Graduate School the Staff Fund and Careers and Employability.

SUBJECTIVISATION OF SOUND: Sound workshop & performance Friday 11th March 2016 Chelsea

cfollows — Wed, 09 Mar 2016 10:20:15 +0000

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Zombies, Cyborgs & Chimeras: A Talk by Performance Artist, Prof Stelarc

cfollows — Thu, 22 Oct 2015 15:56:03 +0000

Presented by Curtin Alumni, see how mankind meets machine in organ printing, nanobots, prosthetics, biomimicry and motion-capture technology.

Curtin University Distinguished Research Fellow and Performance Artists, Professor Stelarc, School of Design and Art, takes you on a fascinating - and sometimes challenging - tour of this rapidly approaching future.

How to make simple but effective lighting for your film

cfollows — Thu, 05 Feb 2015 16:31:15 +0000

This video is from https://www.futurelearn.com/courses/e... ‘Explore Filmmaking: from Script to Screen’ is a free online course by the National Film and Television School and the BFI Film Academy available on FutureLearn.com

Reflecting on Learning and Teaching in the Performing Arts (RLTPA)

cfollows — Wed, 14 Sep 2011 21:53:22 +0000

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Alison Knowles Q & A

cfollows — Tue, 26 Jul 2011 19:59:41 +0000

In the early Sixties Alison Knowles composed the Notations book of experimental composition with John Cage as well as Coeurs Volants, a print with Marcel Duchamp, both were published by Something Else Press. She also traveled and performed with the Fluxus group throughout Europe, Asia and United States. With Fluxus she made the Bean Rolls by invitation of George Maciunus, a canned book that appeared in the Whitney Museum exhibition The American Century (2000). The Big Book (1967), a walk in book installation was comprised of 8-ft. pages, moving around a center spine, permitting the spectator/reader to go inside the book. In 1968, The House of Dust, programmed with the help of composer Jim Tenney, was recognized as the first computer poem on record, winning her a Guggenheim Fellowship; she brought this work to CalArts while she taught there from 70-72.......http://www.aknowles.com/

Performance

Tate Exchange 2018 - Open Call to Collaborate in Digital Maker Collective Events

Thumbnail

Pentagon Petal

SUBJECTIVISATION OF SOUND: Sound workshop & performance Friday 11th March 2016 Chelsea

Thumbnail

Zombies, Cyborgs & Chimeras: A Talk by Performance Artist, Prof Stelarc

How to make simple but effective lighting for your film

Reflecting on Learning and Teaching in the Performing Arts (RLTPA)

Image

Alison Knowles Q & A

Nigerian Praise Performance

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