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Making a Livelier Drawing: Lesson 4

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Lesson 4. Making a livelier drawing, where the line and tone have an energy because they have been applied at speed with a brush.

Creativity: Lesson 8

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Lesson 8. Invention!

The Elements of Drawing

With Colour: Lesson 6

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Lesson 6. The most complex form of drawing. Starting with a pencil outline, the drawing is developed with a brush in clearly defined layers. 

Toned Paper: Lesson 3

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Lesson 3. How toned paper can be used to provide the mid-tone in a drawing, which records where light and shade fall as a means of picturing an object.

The Edge of the Pencil: Lesson 2

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Lesson 2. We use tone, light, dark and the shades in-between to create illusions of volume and depth.

The Tip of the Pencil: Lesson 1

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Lesson 1. We use line to define spaces and things.

Introduction to the Elements of Drawing

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Stephen Farthing R.A. presents eight practical drawing classes using John Ruskin's teaching collections to explain the basic principles of drawing.

Justin Mortimer in conversation with Matt Price

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Paint Club UAL research event: Justin Mortimer in conversation with Matt Price at Haunch of Venison, Thurs 20 Nov 2012: See event d

Duchamp's Boite-en-valise (the red box), series F

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Duchamp's Boite-en-valise (the red box), series F

Geoff painting in the gardens at Stockwell studios

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Geoff Routh painting in the gardens at Stockwell studios, you can see Geoff and other artist working at Stockwell's open studios weekend: