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Fine Art

Workbench. Our Vignettes. Submitted by Workbench on 13 April 2012 - 1:38pm We believe in sharing information to enhance the sense of community within our Wood Workshop.	The Real World: Artist as Researcher Submitted by nkaplony on 8 October 2012 - 3:27pm The Real World is an ongoing talks programme run in collaboration with the Whitechapel Art Gallery that explores 'real life' issues that effect artists' practices.
Introduction to the Elements of Drawing Submitted by cfollows on 26 September 2013 - 9:32am Stephen Farthing R.A. presents eight practical drawing classes using John Ruskin's teaching collections to explain the basic principles of drawing.	Accounts: A radio show that explores artists' ways of making and thinking about money Submitted by nkaplony on 8 October 2012 - 3:07pm Critically and practically focussed, the series of 6 conversations draws on the experiences of artists, curators and arts professionals to provide an overview of the financial opportunities, issues
Gallery Deals - the artist/gallery relationship Submitted by rdmartin on 30 August 2012 - 3:17pm Art dealer Rene Gimpel of Gimpel Fils talks about relationships between artists and galleries - based on trust and contracts.	ONE:PLACE:TWO Exhibition of staff work at Chelsea College of Arts Submitted by cfollows on 30 January 2014 - 10:09am After the success of last year’s ‘all in one place’, the staff exhibition at Chelsea is back for its
Measured Drawing: Lesson 5 Submitted by cfollows on 26 September 2013 - 3:35pm Lesson 5. Making a drawing that is dependent for its success on mathematical accuracy.	Site Specific Art - protecting the artist's vision Submitted by rdmartin on 30 August 2012 - 3:26pm Artist Susanna Heron talks through her experiences of being commissioned on public art projects, the pitfalls she encounters and how to get around them.
Art and Ideas - what does copyright law recognise as art? Submitted by rdmartin on 30 August 2012 - 3:28pm Artists sometimes report their work has been seemingly ripped off and used in other ways without their consent - but what is actually covered and protected by copyright law?	Making a Livelier Drawing: Lesson 4 Submitted by cfollows on 26 September 2013 - 3:28pm Lesson 4. Making a livelier drawing, where the line and tone have an energy because they have been applied at speed with a brush.

Colleges

Chelsea College of Art and Design Central Saint Martins College of Art and Design CCW: Chelsea, Camberwell & Wimbledon University of the Arts London Wimbledon College of Art London College of Communication