Drawing

The Edge of the Pencil: Lesson 2

Submitted by cfollows on 26 September 2013 - 10:01am

Lesson 2. We use tone, light, dark and the shades in-between to create illusions of volume and depth.

2294 reads

The Tip of the Pencil: Lesson 1

Submitted by cfollows on 26 September 2013 - 9:48am

Lesson 1. We use line to define spaces and things.

3361 reads

Introduction to the Elements of Drawing

Submitted by cfollows on 26 September 2013 - 9:32am

Stephen Farthing R.A. presents eight practical drawing classes using John Ruskin's teaching collections to explain the basic principles of drawing.

2950 reads

Learn to draw

Submitted by cfollows on 26 September 2013 - 9:09am

Stephen Farthing R.A. presents eight practical drawing classes using John Ruskin’s teaching collections to explain the basic principles of drawing.

1615 reads

Deborah Nadoolman Landis presents "Hollywood Sketchbook"

Submitted by ofurlong on 30 April 2013 - 3:36pm

Costume designer and Hollywood Costume exhibition curator Deborah Nadoolman Landis returned to London College of Fashion on the 14th November 2012 with a presentation titled The Art of Hollywood Co

3023 reads

The Humanity of Drawing: An artist's journey

Submitted by erfebvre on 15 June 2012 - 3:39am

THE HUMANITY OF DRAWING; AN ARTISTS JOURNEY

Emma Febvre-Richards

E.R.Febvre-Richards@maseey.ac.nz

10037 reads

Three fingers and white gloves – conventions and representation of cartoon morphology

Submitted by Martine on 28 May 2012 - 2:37am

Three fingers and white gloves – conventions and representation of cartoon morphology

4095 reads

EMBODIED SUBJECTIVITY AND AUDIENCE ENGAGEMENT VIA DRAWING IN THE PROJECT SHADOWGRAPHS

Submitted by Guy Harries on 22 May 2012 - 3:39pm

EMBODIED SUBJECTIVITY AND AUDIENCE ENGAGEMENT VIA DRAWING IN THE PROJECT SHADOWGRAPHS

6461 reads

Strategic Plotting

Submitted by perry kulper on 18 May 2012 - 1:38pm

STRATEGIC PLOTTING

Perry Kulper

6340 reads

Systematic notations and the relations between paper and music

Submitted by David Griffin on 17 May 2012 - 4:41pm

Building on the representational analytics of British academic John Willats, and the work of the American philosopher Nelson Goodman, this paper describes an investigation of articulate notati

4609 reads

Colleges

London College of Fashion RMIT University Wimbledon College of Art University of Michigan College of Creative Arts, Massey University, NZ

Drawing

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