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DRAWING OUT 2012

Drawing Through Touch: A Phenomenological Approach

Submitted by Deborah Harty on 23 May 2012 - 2:25pm

 

DRAWING THROUGH TOUCH: A PHENOMENOLOGICAL APPROACH

The Humanity of Drawing: An artist's journey

Submitted by erfebvre on 15 June 2012 - 3:39am

THE HUMANITY OF DRAWING; AN ARTISTS JOURNEY

Emma Febvre-Richards

E.R.Febvre-Richards@maseey.ac.nz

 

Drawing on a Dream

Submitted by Lynn Imperatore on 28 May 2012 - 12:10pm

DRAWING OUT 2012Paper Title: Drawing on a Dream  Author: Lynn M Imperatore

An Original Creative Principle

Submitted by Motherwell on 30 May 2012 - 4:52pm

 

“An Original Creative Principle”

 

Chelsea Whispers and Other Listening Inaccuracies

Submitted by Maryclare on 17 May 2012 - 1:07pm

 

Chelsea Whispers and Other Listening Inaccuracies.

EMBODIED SUBJECTIVITY AND AUDIENCE ENGAGEMENT VIA DRAWING IN THE PROJECT SHADOWGRAPHS

Submitted by Guy Harries on 22 May 2012 - 3:39pm

 

EMBODIED SUBJECTIVITY AND AUDIENCE ENGAGEMENT VIA DRAWING IN THE PROJECT SHADOWGRAPHS

DRAWING-IN AND OUTSIDE-WRITING: AN IN-DEPTH STUDY OF WHEN THE CREATIVE ACTS OF DRAWING AND WRITING ARE MOST CLOSELY RELATED

Submitted by kchorpening on 10 June 2012 - 9:07am

 

Strategic Plotting

Submitted by perry kulper on 18 May 2012 - 1:38pm

 

STRATEGIC PLOTTING

Perry Kulper

Drawing out 2012 - Friday highlights

Submitted by cfollows on 30 March 2012 - 6:32pm

Really enjoyed the Friday sessions of drawing out 2012, I didn't get chance to see everything but the few I did were really

DRAWING AS INTERVENTION: SITE SPECIFIC ART AND THE TRANSLATION OF MEANING.

Submitted by ebarrow on 16 January 2013 - 4:25am

The transformation of meaning generated via drawing as mark making into the land itself is demonstrated through an environmental site-specific collaborative artwork.