Painting

Measured Drawing: Lesson 5 Submitted by cfollows on 26 September 2013 - 3:35pm Lesson 5. Making a drawing that is dependent for its success on mathematical accuracy.	About Paint Club Submitted by jdennis on 30 October 2013 - 11:52am
Making a Livelier Drawing: Lesson 4 Submitted by cfollows on 26 September 2013 - 3:28pm Lesson 4. Making a livelier drawing, where the line and tone have an energy because they have been applied at speed with a brush.	Field Notes: Lesson 7 Submitted by cfollows on 26 September 2013 - 3:53pm Lesson 7. Strategies for collecting information and recording ideas as an aid to memory.
With Colour: Lesson 6 Submitted by cfollows on 26 September 2013 - 10:48am Lesson 6. The most complex form of drawing. Starting with a pencil outline, the drawing is developed with a brush in clearly defined layers.	The Edge of the Pencil: Lesson 2 Submitted by cfollows on 26 September 2013 - 10:01am Lesson 2. We use tone, light, dark and the shades in-between to create illusions of volume and depth.
Toned Paper: Lesson 3 Submitted by cfollows on 26 September 2013 - 10:14am Lesson 3. How toned paper can be used to provide the mid-tone in a drawing, which records where light and shade fall as a means of picturing an object.	Creativity: Lesson 8 Submitted by cfollows on 26 September 2013 - 11:05am Lesson 8. Invention! The Elements of Drawing
Paint Club at Tate Britain Friday 7th March 'There's a Ghost in my House' Submitted by jdennis on 8 February 2014 - 2:56pm Paint Club and Tate present:There's a Ghost in my House' 1 pm Friday 7th March Clore Auditorium Tate Britain	Video Of 'There a Ghost in my House', Paint Club at Tate Britain, March 7th 2014 Submitted by jdennis on 6 April 2014 - 2:42pm Ann-Marie James, Andrew Cranston and Dougal McKenzie discuss their choice of paintings in the new Tate Britain displays, in relation to their own painting practice, chaired by Dr Jo Melvi

Colleges

CCW: Chelsea, Camberwell & Wimbledon University of the Arts London Camberwell College of Arts