This site has reached End of Life and will be taken down and removed on 01 Feb 2021.
It is strongly recommended that any material you would like to retain is downloaded before this date.

Drawing

Learn to draw Submitted by cfollows on 26 September 2013 - 9:09am Stephen Farthing R.A. presents eight practical drawing classes using John Ruskin’s teaching collections to explain the basic principles of drawing.	Can an online forum address a lack of student engagement? Submitted by mmcgrane on 19 July 2014 - 9:55pm In my teaching development project I wanted to tackle the issue of a lack of student engagement on the BA Fashion Illustration course.
Gravity Sketch user testing with Chelsea MAGDC students Submitted by cfollows on 30 November 2015 - 5:11pm Following on from our first introduction to the Gravity Sketch team by the Tate at the	PALIN & THE BEAR: Taxonomy of Drawing: Submitted by cfollows on 21 November 2014 - 12:04pm When the Sarah Palin looks up at the Alaskan State Flag she first sees, eight golden stars on a dark blue field, then a length of woven cloth either lifted or let down by the wind, what she most pr
Kirklees College Ceramics Video Sketchbook Sally Hargreaves Submitted by cfollows on 20 August 2012 - 5:35pm In this video Sally Hargreaves begins by describing the role of sketchbooks in her	Look At The (E)state We're In (LATEWI) Film Submitted by pnellis on 29 February 2016 - 10:59pm A short film documenting Look At The Estate We're In (LATEWI).
Melanie Clark a labanotator talks about the relationship between dance and drawing Submitted by cfollows on 20 January 2012 - 5:06pm How to draw and dance and dance a drawing	DRAWN IDENTITIES: Pepsi, Shakers and Tattoos Submitted by cfollows on 21 November 2014 - 11:57am I no longer recognise much of a divide between writing and drawing, for me, the two travels hand in hand towards very similar goals.
The Raw and the Cooked - essay by Stephen Farthing Submitted by cfollows on 21 November 2014 - 11:52am A year or so ago, I was given a box of papers by a man I met in the bar of the Chelsea Arts Club in London, the box was one of those tray type boxes producer’s use to ship fruit to market.	Drawing from Experience: Fra Angelico to Leonardo Submitted by cfollows on 21 November 2014 - 12:02pm By the end of the twentieth Century the access Andre Malraux anticipated his "Museum Without Walls" , (the world beyond museums that the mass distribution of reproductions of arte

Colleges

RMIT University London College of Fashion CCW: Chelsea, Camberwell & Wimbledon Wimbledon College of Art London College of Communication Chelsea College of Art and Design