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Sculpture

Core sand casting experiments

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34 - Mechanical box

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Disciplines that are concerned with movement or time may utilize many forms of energy, either as a simple means to an end; a revolving stage and/or as a away of influencing an outcome.

17 - Bubble

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Theoretically the perfect sphere: although it’s life is short, it doesn’t react well or easily to modification and it has limited practical strength, the ignominiously named bubble is in fact a com

46 - Routed M.D.F.

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Powered machinery such as routers or spindle moulders are common equipment in the construction and furniture trades, but can often be found in Art School workshops, particularly where picture frami

Rebecca Smith Wimbledon Foundation 2010 (interview)

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Interview Rebecca Smith at Wimbledon Foundation 2010, in discussion with Fine Art area leader Laurence Noga on 8 June 2010.

Pit preparation - loss wax process - part five

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Pit preparation - Chelsea college of art alumni Marco Chiandetti describes the early stages of the loss wax process for his bronze cast prior to his final MA exhibition.

Daniel Hoskins Wimbledon Technical Arts student talking about his work 2009

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Wimbledon College of Art, Technical Arts student Daniel Hoskins talking about his final dgree show piece for his show in 2009. Video by Chris Follows Process Arts projects.

50 - Iron wire ball

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The material is black iron annealed wire, 16 standard wire gauge, soft, and satisfying to bend between finger and thumb.

Antony Gormley talk - Wimbledon College of Art

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On 4 October 2010 Antony Gormley, the English sculptor most famous for the

Wood turning

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Notes to come: